October 2011
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Occupy Wall Street Circa 1967: Larry Fink's Photos... →
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"Its the Great Pumpkin, Charlie Brown" →
“I got a rock.”
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Making Sure No Guest Is Forgotten →
A New York photographer has revived the banquet photo, a 12-by-20 inch black-and-white group portrait most popular in the late 1880s to the 1960s.
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Trespass. A History of Uncommissioned Urban Art →
The last outlaw of visual disciplines
Graffiti and unsanctioned art—from local origins to global phenomenon
In recent years street art has grown bolder, more ornate, more sophisticated and—in many cases—more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.
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Photo Essay: Slow photography in New Zealand →
Check out Chris Mackie’s photo essay. Very cool.
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Susan Burnstine's "Within Shadows" @ the John... →
From the John Cleary Gallery blog:
Eschewing the use of traditional cameras, Susan Burnstine creates her dream-like visions entirely in-camera with one of over twenty hand-made film cameras and lenses. Though frequently unpredictable and often technically challenging, these cameras (an amalgam of plastic, vintage parts and random household objects) and their extensive limitations demand a high...
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Kodak Elitechrome 100
coolgirlsshootfilm:
LOMO LC-W
I did not readjust my ISO settings before shooting this roll and ended up overexposing the whole roll. Yes, even at this stage I do make mistakes as elementary as this. Above are the few shots I managed to salvage among the overly saturated exposures I took. Still, I’m loving the wide-angle lens of the LC-W. Need to take this one to the beach one of these...
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COLOUR PHOTOGRAPHS OF CIRCUS PERFORMERS,... →
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